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At that time, Frank ZAPPA really liked rhythm and blues music. The first instrument he played was the drums. When he was 10 years old, he moved to California with his parents. Frank Vincent ZAPPA - Decem(Baltimore, USA) / Decem(Los Angeles, USA) The most important members of the early MOTHERS OF INVENTION had been Frank ZAPPA (guitar, vocals, much more) Ray COLLINS (vocals), Jimmy Carl BLACK (the ind. On August 20, 1969, ZAPPA disbanded THE MOTHERS. The entire sleeve of "We're Only In It For The Money" is a parody on that record. Pepper's Lonely Hearts Club Band" from THE BEATLES in particular. Worth mentioning is the fabulous "We're Only In It For The Money", on which ZAPPA ridicules the hippie-culture in general, and "Sgt. All of his records from the sixties are fantastic, except for "Cruising With Ruben & The Jets", which is a satiric tribute to doo-wop music. With this first edition of THE MOTHERS, Frank ZAPPA recorded a number of progressive rock masterpieces. This milestone contained a strange mix of rhythm and blues, satyrical lyrics and avant-garde dissonance.
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THE MOTHERS were contracted by the Verve-division of MGM and after they had changed their name into THE MOTHERS OF INVENTION (to satisfy some MGM Records executives, who thought the other name was too provocative), they released 'Freak Out!', the second double-album ever (after Bob DYLAN's "Blonde On Blonde") and also what is said to be the first concept album ever. He renamed the band THE MOTHERS (which was a subtle abbreviation of 'motherfuckers') and soon after the band caught the attention of producer Tom Wilson. From 1962 'til 1964, ZAPPA wrote several songs for different bands (You can find those songs on "Cucamonga" and "For Collectors Only"). You can find the theme from "Run Home Slow" on the "The Lost Episodes" and "The Mystery Disc".
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Some of his early compositions he wrote for the B-films "The World's Greatest Sinner" and "Run Home Slow" (written by his high school English teacher). During high school, he played in several garage bands, but he didn't write rock and roll music himself until his early twenties. He was fascinated by the 'weird' avant-garde pieces and it was probably also ZAPPA's first encounter with atonal compositions, something that would later reappear in his own music. But in 1954, ZAPPA found a copy of "The Complete Works Of Edgar Varèse, Vol.